Laid With Cool
     the Lassie Foundation Newsletter



Issue 17--March '99

NEWS

Shows--
* March 20th at The Glass House in Pomona
* March 27th at Que Serra
     ---more information at a later date

*Order the Lassie Foundation's full length album "Pacifico" by mail--
Send $13 cash or money orders (made out to Eric Campuzano) only, to 235 Doverfield,
Placentia, CA 92870, USA
($15 for those ordering outside of the USA)

*Join the list serve that was recently started for the Lassie Foundation by Matt Brown.  Go to:
  http://www.onelist.com/subscribe.cgi/lassiefoundation
 
 

The Lassie Foundation Live Review

Nashville, Tennessee proudly proclaims its nickname "Music City USA."  That name is most appropriate during the annual Extravaganza.  The Extravaganza, or "X99" as it was known this year, is an event organized and hosted by the Nashville Entertainment Association.  The event was originally held during one night and was designed to showcase local talent to the music industry.

This year, X99 spanned three nights, from February 11 - 13.  Over 300 bands performed at numerous clubs throughout the city.  Every genre of music could be heard from Bluegrass to Jazz to Rock to Pop and all variations in-between.  Artists signed as a result of their performances at previous Extravaganzas have included Gillian Welch, Matthew Ryan, The Verve Pipe, Cowboy Mouth, Jack Ingram and others.

It was on the opening night of X99 that The Lassie Foundation made a rare excursion outside the confines of Southern California to take the stage at Nashville's legendary rock club The Exit/In.  Located mere blocks from the campus of Vanderbilt University in an area that used to be known as "The Rock Block," the club has seen its share of up and coming bands over the years that have gone on to some measure of stardom and/or critical acclaim.  The club recently changed ownership and has undergone some much needed remodeling, including the addition of a new sound system.

Promptly at 8:15, The Lassie Foundation took the stage.  Jeff Schroeder and Eric Campuzano took places on opposite sides of the stage.  Jason-71 strapped on his bass.  Frank Lenz took his place behind the drums, and Wayne Everett walked up to the microphone with tambourine in
hand to announce, "We're The Lassie Foundation.  We're from California.  This is 'Crown of the Sea.'  And just like that, The Lassie Foundation launched into a six-song set of their masterful, distorted pop.

The all-too-short set was made up of a mix of songs both familiar and new.  Those who have heard the legendary "Pacifico" album knew "Crown of the Sea".  That song was followed by the new, uniquely titled "You Can Shoot Me Down, But You Will Always Believe."  Another new song introduced by Everett as "the inappropriately titled 'Shogun'" sounds like it is destined to be
another pop masterpiece from the band.  "Shogun" was followed by the familiar "I Can Be Her Man" in a harder rocking version that sounded more like the live version from the "Dive Bomber" EP than the original cut on "California."  "She's the Coming Sun-She's Long Gone," another cut from "Pacifico" was next.  Suddenly, Everett announced the last song for the evening, another new song called "Conquer Me" that was quite possibly the best song of the short set with its infectious pop hooks.

The X99 schedule left no room for encores or any sort of banter between songs.  For the most part, the performance by the band was straightforward and no-nonsense.  The band members appeared to be a little tentative, which is understandable given the situation, the tight time schedule and the strange surroundings.  The band sounded quite good, although I thought the
sound was strangely subdued for The Exit/In.  Past shows I have attended there have been almost painfully loud.  The mix seemed just right.  Schroeder's slashing guitar leads, Campuzano's rhythm strums, Jason-71's bass and Lenz's drums all were discernable without overwhelming one another.  Everett's falsetto-style vocals have never sounded better, and Lenz provided excellent backing vocals on most of the songs.

The crowd wasn't huge, but it wasn't sparse either; especially considering that several other more highly publicized shows were taking place at the same time at other venues in Nashville.  It was obvious that a number of those in attendance at The Exit/In were there specifically to see their
beloved Lassie Foundation perform.

With any luck, this won't be the last time we get to see the band perform outside Southern California.  We just have to be patient while we wait for the rest of the world to catch on to the wonder of The Lassie Foundation.

    -David Reynolds
 
 

Links

Havalina Rail Co. Website-    http://www.havalina.home.ml.org

Nzine-   http://come.to/nzine

Official Lassie Foundation Website- http://www.rollanet.org/~johnston

Sukafoi-   http://come.to/latemag

The Redcrown Republic    http://327.com/redcrown

Three Twenty-Seven     http://www.327.com/
 

Send any comments to: johnston@rollanet.org
Contact the band at theLassief@aol.com
Send any links with a site explanation w/ a subject of "LINKS" to johnston@rollanet.org
Please e-mail address changes or to unsubscribe to johnston@rollanet.org

Thanks to-- David Reynolds and the Lassie Foundation

-alyssa johnston

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